Or maybe you climb a mountain and spend 40 days and nights sitting in anticipation, maybe meditating, maybe praying. Until the hand of God appears, scribbling madly on stone.
Or maybe you follow a baby goat until you notice a burning bush. Or you chase a stray calf right into a cave filled with the light of Eden.
Or maybe you do nothing at all.
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I had wanted to carry something with me, something talismanic, on this vist to Old Ashkenaz, the recent land of my ancestors, and the distant land of many of our ancestors. Then one of my teachers pointed me to this poem, and that was it. It was these words that I brought, back to their place of origin.
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I ran into the Shechinah in an art museum. It was the Art Institute of Chicago. Maybe not the way it is now, but the way it was when I was a kid. She was in one of the Impressionist rooms. In front of Seurat's Sunday Afternoon on the Isle of la Grande Jatte.
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Mesopotamian and Canaanite cultures also had a priesthood function for people like me, for the girlymen who served the gods and goddesses dressed as women, called kulu'u in Babylonian and k'deshim in Hebrew, which again means "holy ones," but which was translated into the Latin Vulgate by St. Jerome in the 4th Century as effeminati (a term which I must immediately begin using to describe my own tribe).
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The angel's suggestion that behind transformation lies language – that should mean something to us. If we want to mend the field, we start with language; we start with our words. Our words conjure a world. And we want it to be a world that we want to live in.
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